Paul Lavoie, Taxi, talking about the power of doubt at the Tomorrow Awards
Yesterday we were at the Tomorrow Awards, the award show that is to inspire the industry to innovate faster, as Ignacio Oreamuno explained in his welcome speech. It proved quite a long afternoon – at some point turning into a night – if you take into account that only 5 awards were given away. It helped that the event, held at Pakhuis de Zwijger along IJ river, was sponsored by Absolut and some other hard liquor brands and was hosted by the hyper active Haley Mancini of Boom Chicago. There was also some improvisational, interactive theater by some actors who perform occasionally at Boom Chicago to keep the crowd going, but only at the end of the evening this seemed to pick up – when the bottles on the tables started to empty. The most interesting part of the show were the four speakers leading some of the best agencies in the world; Paul Lavoie (Taxi), talking about doubt as an essential ingredient for great work and showing an 8 minute film he just made about the last two days of Vincent van Gogh’s life; Nick Bailey (AKQA) talking intelligently about AKQA’s many ‘human platforms’; Carl Johnson (Anomaly), announcing his new office in Amsterdam and wisely stating that the digital era needs more collaboration and less ego; and finally Jean-François Bouchard who very entertaingly and convincingly showed how at Sid Lee underwear is the preferred dress and crazyness key. There was one thing that all the speakers seemed to agree on; we live in exciting times. You’d almost forget that there were also some awards to give away. The winners were: Skype in the Classroom, Made by Many (UK); Halo Reach, AKQA (USA); What Do You Love, Big Spaceship and Google Creative Lab (USA); HypoSurface, Mark Goulthorpe (inventor) USA; Les Paul, Google Doodle Team & Google Creative Lab (USA). All cases were, as Oreamuno promised at the beginning of the show, digitally advanced. It was a pity though that there were only Anglo-saxon winners. But since this is only the second year of the Tomorrow Awards, it probably just needs some more time to get discovered by the rest of the world. In any case, we definitely agree with Oreamuno; less awards is more.
Wherever you are in the city, you’re favourite sport should always be with you is Nike’s thought behind this dressed up ad ‘peperbus’ (pepper mill) that can be used as a sports attribute – click on image to see the entire picture. Here and here two more. There’s a URL on each peperbus that refers to a short film in which a successful athlete talks about his/her sport (in Dutch) and demonstrates how to use the outdoor furniture. Another great example of a medium turning into the message. Created by Undog, Goedbezig! Producties, and Centercom.
Natwerk created this activation campaign for Diesel, which neatly follows up the Diesel Island ad, “Land of the Stupid, home of the Brave”, created by Santo London beginning of this year. So drop whatever you are doing when the ‘Beach Express’ drives by. We recommend you to grab the bus next week, when the temperature will be rising, cause it might be the last beach weather the Dutch ‘summer’ produces.
The first commercial ever in which Nike and Adidas live peacefully in co-existence, we thought. Nope, not true. It is Greenpeace that wants to educate us about these love brands. It’s a good thing that Marco Della Coletta and Zoe D’Amaroclearly (Godmother) can show off their skills while helping Greenpeace in its fight for a better world. But we don’t really get it. That is, we do get that Nike and Adidas are playing with toxic polluters. But why create a brand film – with breakdancers, a Snoop Dog look alike, and a logo that communicates water in Chinese – that makes Nike and Adidas look über cool, if you want to make these same brands look uncool? The e-mail accompanying this “cross media campaign” explained it wasn’t made with the help of any big agency. Well, it’s good to see that the good old advertising agencies can still have added value in getting an apt message across.
Picture: ECD’s W+K Amsterdam Mark Bernath (left) and Eric Quennoy (middle), mainly responsible for Wieden+Kennedy’s huge success in Cannes and Enrico Balleri from Nike, just after the award ceremony last Saturday. What a great closing night for the Amsterdam agency it was. Nike Write the future scored seven more Lions – earlier in the week it already won gold in Cyber. At the most important award night the Amsterdam agency first of all won the prestigious Grand Prix in film. It was a very close finish with Puma’s ‘After hours athlete’ as jury chair Tony Granger (CCO Y&R) explained at the press conference. After a lengthy discussion he asked the jury to put all the rational arguments aside and vote from the heart. This gave Nike the final push. Nike also won five Lions in Film craft: two Gold (Editing and Script), two Silver (Production and Sound), and one bronze (CG). And the seventh Lion, Gold in Integrated, proved that the campaign didn’t just have a pretty face. And then Heineken; for this other power brand W+K won five Lions in Film and Film craft. Four for The Entrance: Film: Gold and Bronze (interactive). Film craft: Gold and Silver (Direction and Sound Design). One Lion went to The Date – more or less the sequel of The Entrance. It won bronze in Film. This brought the grand total for Wieden+Kennedy to 13 (!) Lions. Together with all the Lions that Portland won for Old Spice, W+K must easily be the most awarded independent network in the world. Two more Amsterdam Lions went to MINI ‘Flow‘ (Silver in Film craft) by BSUR and one to Volkswagen’s ‘Old Lady’ (Bronze in Film) by DDB. All in all Amsterdam (officially) won 25 Lions, 8 (!) more than last year.
