This trailer promotes the March issue of Boards Magazine dedicated to Innovation. The Canadian magazine on international commercial production asked Theo Watson and Emily Gobeille of Nexus Productions to develop an interactive cover to articulate this month’s theme. The result is Rise and Fall; an augmented reality (AR) webcam experience. By holding the magazine cover up and down in front of your webcam, a story unfolds that rises with the birds or falls down into the ocean with the fishes respectively, accompanied by little cryptic text cues. Amsterdam based MOST was responsible for the sound effects – that clearly contribute to the arty interactive experience. The technique of using the webcam for AR advertising is becoming more and more popular. Recently we saw an impressive AR Adidas Originals sneaker ad, made by Sid Lee Montreal/Amsterdam – here’s the teaser. For those of you that don’t have this month’s Boards issue, here’s a demonstration by Theo Watson himself. And if you want to see a live demonstration, and a peak behind the scenes, you should visit the upcoming Boards Summit Europe in the Beurs van Berlage in Amsterdam on March 24.

Paul Lavoie, Taxi, talking about the power of doubt at the Tomorrow Awards

Yesterday we were at the Tomorrow Awards, the award show that is to inspire the industry to innovate faster, as Ignacio Oreamuno explained in his welcome speech. It proved quite a long afternoon – at some point turning into a night – if you take into account that only 5 awards were given away. It helped that the event, held at Pakhuis de Zwijger along IJ river, was sponsored by Absolut and some other hard liquor brands and was hosted by the hyper active Haley Mancini of Boom Chicago. There was also some improvisational, interactive theater by some actors who perform occasionally at Boom Chicago to keep the crowd going, but only at the end of the evening this seemed to pick up – when the bottles on the tables started to empty. The most interesting part of the show were the four speakers leading some of the best agencies in the world; Paul Lavoie (Taxi), talking about doubt as an essential ingredient for great work and showing an 8 minute film he just made about the last two days of Vincent van Gogh’s life; Nick Bailey (AKQA) talking intelligently about AKQA’s many ‘human platforms’; Carl Johnson (Anomaly), announcing his new office in Amsterdam and wisely stating that the digital era needs more collaboration and less ego; and finally Jean-François Bouchard who very entertaingly and convincingly showed how at Sid Lee underwear is the preferred dress and crazyness key. There was one thing that all the speakers seemed to agree on; we live in exciting times. You’d almost forget that there were also some awards to give away. The winners were: Skype in the Classroom, Made by Many (UK); Halo Reach, AKQA (USA); What Do You Love, Big Spaceship and Google Creative Lab (USA); HypoSurface, Mark Goulthorpe (inventor) USA; Les Paul, Google Doodle Team & Google Creative Lab (USA). All cases were, as Oreamuno promised at the beginning of the show, digitally advanced. It was a pity though that there were only Anglo-saxon winners. But since this is only the second year of the Tomorrow Awards, it probably just needs some more time to get discovered by the rest of the world. In any case, we definitely agree with Oreamuno; less awards is more.

The first commercial ever in which Nike and Adidas live peacefully in co-existence, we thought. Nope, not true. It is Greenpeace that wants to educate us about these love brands. It’s a good thing that Marco Della Coletta and Zoe D’Amaroclearly (Godmother) can show off their skills while helping Greenpeace in its fight for a better world. But we don’t really get it. That is, we do get that Nike and Adidas are playing with toxic polluters. But why create a brand film – with breakdancers, a Snoop Dog look alike, and a logo that communicates water in Chinese – that makes Nike and Adidas look über cool, if you want to make these same brands look uncool? The e-mail accompanying this “cross media campaign” explained it wasn’t made with the help of any big agency. Well, it’s good to see that the good old advertising agencies can still have added value in getting an apt message across.

Finally, Amsterdam wins its first golden Lion – in cyber. Nike’s ‘Write the future’, created by Wieden+Kennedy has already won a truckload of prizes, but winning in Cannes, is the cherry on top, of course. The campaign won in cyber, because it used social media very effectively; the film received 40 million online views. And since the film is so impressive, we expect it to win (at least) a golden film Lion this Saturday. Two virals were rewarded with a bronze Cyber lion. The first one: TomTom’s special edition StarWars voices – created by Pool Worldwide and directed by Willem Gerritsen (CZAR). This film will surely also win another Lion at the end of the week. The other viral, was Liquid Mountaineering for Hi-Tec by CCCP – a brilliantly executed mockumentary. Interesting detail; this second viral was also directed by Willem Gerritsen. In design two silver Lions were won. One by Amsterdam agency BrandBase for its pallet project, a unique working environment, built entirely from pallets by Most Design. The other silver design Lion went to Heineken’s STR bottle, a bottle that lights up in the dark thanks to its UV-sensitive ink – created by dBOD and Iris.

Good news for 180 Amsterdam; ASICS appointed the agency for its global communications around the London Olympic Games 2012 – after a competitive pitch that started last summer. 180 will also work with ASICS to launch key product ranges through 2011 and 2012. ASICS asked 180 to give emotional meaning to its ethos ‘Sound Mind Sound Body’ (Anima Sana In Corpore Sano) – an inspiring assignment when combining it with the idea behind the Olympics. 180′s big advantage in the pitch was its extensive experience on the Adidas account – 180’s founding client who left the agency in 2010. Next to 180 ASICS also works with Vitro in San Diego. Together with Vitro ASICS very recently developed a global campaign around the proposition ‘Sports releases more than just sweat’ – namely negative energy. It seems ASICS is working hard to capture some market share from Nike and Adidas.

Amsterdam won two Grand Prix in Film and Design at Eurobest in Hamburg, last Wednesday. Wieden+Kennedy was awarded the prestigious award for its epic Nike ‘Write the future’ commercial – alledgedly the most expensive commercial ever made. And for the same film it won bronze in Film Craft. Amsterdam Worldwide earned a Grand Prix in the category Design for the Onitsuka Tiger ‘Tansu sneaker’. Other than that Amsterdam did not do extremely well, we have to admit. In interactive Pool Worldwide won silver for its brilliant StarWars branded TomTom viral. In the same category 180 Amsterdam won bronze for Adidas’ Match Tracker and NRG3 won bronze for an interactive banner for the EA game Need for Speed Shift. N=5 was awarded silver in the category Media with a ‘Live interactive billboad’ – an aggression awareness campaign. BSUR got bronze in Film for MINI’s Flow, Publics won bronze in Print for KIKA, and JWT bronze in Promo and Outdoor with the MINI Christmas box.