An exquisite example of (true!) storytelling. The ‘Pletterpet’ is the best WC premium we’ve come across so far – the Netherlands probably has the highest football-premium-density in the world. This instruction film shows the package you buy in the supermarket in its full glory – €11, including 8 cans of beer. We do feel slightly embarrassed for all the Dutch morons wearing one at the WC football in South Africa and hijacking two South African traditions – the Makaraba and the Vuvuzela (horn). But letting our political (over) correctness aside for a second, the commercial is well made and when you realize that Heineken, or rather its agency TBWA Amsterdam, needs to come up with a new premium every football tournament, we have to say it’s quite original. Nice detail: the guy at the end really is the inventor of the Makaraba. In this film you can see all the previous premiums TBWA created for Heineken – though the film is a bit lame, it shows how much fun both advertiser and agency must have had creating all those premiums. And it’s that fun exactly that is translated in the smiling e’s in the Heineken logo at the end of the Pletterpet commercial.

Heineken has a history of launching premiums – to be obtained through a crate of beer – before the European and World Championship of football. The last 4 tournaments Heineken’s agency TBWA created all sorts of hats that enabled the audience to make some noise during the matches – last time, in South Africa, it was the Pletterpet. This spring – getting ready for Euro2012 – Heineken (and TBWA) not only exchanged the hat for a shirt, it also changed the tone of the commercial around the event. The advertising now feels weirdly incongruent; it starts with three guys that seem to have walked out of a bad Italian car commercial. And then it continues with ‘international’ shots. Even the ‘drinking-with-mates-in-a-bar’ shot is anything but Dutch – with fake bar and exotic models. The only thing that is really Dutch about the commercial is the KLM plane wearing an orange shirt and the ‘haha’ joke with ex international Ronald Koeman at the end. It feels as if the Dutch beer brewer was in a split between being the global, cosmopolitan brand and a chauvinistic football friend that wants to sell as much beer as possible in the supermarket. Well, in our opinion, it’s none of the above and stuck in the middle. And when you ask yourself what’s up with the numbers, you have to guess, cause the voice-over only speaks of supporting Orange with ‘your legendary deed.’ Oh well, whatever, we’ll probably drink a few Heinies during Euro2012 anyway.

Photo: Maurice Mikkers
The biggest winner last night at the ADCN (Dutch Art Director’s Club) awards was Lemz. All the ‘bulbs’ – of which one was a Grand Prix (the very best integrated work) – went to their Fireworks campaign. Our very favourite campaign of the year Domino’s Pizza Pepperoni by Indie won one Golden and two Silver bulbs (TV, internet and activation) – in our opinion it was at least as good as Lemz’ work. Wieden also won one Gold and two Silver for Heineken’s ‘The making of The Date’ (internet, TV, and activation). Selmore won Gold for Bavaria and Hugh Heffner – so we can be sure that Charlie Sheen will also win Gold next year. We were a bit surprised that N=5 won Gold for Telfort – not really our taste. Y&R won one Gold and two Silver for LG’s ‘smart thief‘ (internet, TV, and viral). A bit strange that alle these films are winning different prizes for the different channels through which they are broadcasted – does the channel matter? Another one of our favourites was Hema’s with a push-up bra in print, promoted by a male model, going viral big time – by Doom & Dickson. It won Gold and Silver. Note: Hema is one of the most down to earth department stores in the Netherlands. TBWA won Gold with its print campaign for DIY chain Gamma; free Lego – “Just like dad.” In Interactive Tribal DDB won Gold and Silver for ‘Obsessed with Sound’ for Philips. One of the most impactful commercials of the year by Publicis for ALS won Silver – “I have died by now.” Special bulbs went to Mischa Rozema (for directing OFFF), Christian Borstlap (art direction and illustration, for LV and Mr Porter), and Simon Warner (photgraphy, for Octopus).

Wieden+Kennedy Amsterdam has promoted Clay Mills to Managing Director. He follows up Lee Newman, who was appointed as MD in 2008. Newman will become president at O&M Chicago. Mills was hired by Wieden in 2010 as Group AD on Heineken. Since his hiring Heineken became one of Wieden’s more profitable and successful accounts, making the agency even lead this year’s Gunn report. Prior to W+K Amsterdam, Mills worked at JWT New York, and BBH in New York and London. ECD’s Mark Bernath and Eric Quennoy about Mills’ appointment: “Spending the last two years making the Heineken work with Clay has been one of the more enjoyable experiences of our careers. You have to work with people who make work feel more like having fun. That’s when the best stuff happens. Of course, you can’t have fun without being dead serious and smart about what you’re doing. A balance that Clay gets as good as anyone.”

Imagine you enter a hotel room before visiting a Champion’s League match and you find the trophy ‘with the big ears’ in your room. Wow! Nice! Yep, that’s how we would react. Though we always doubt the authenticity of case films – they almost never feel entirely real – we have to say this makes quite a sympathetic ad. Especially the guy taking a quick picture before he opens the door, made us smile. The concept reminds us of of the Italian Heineken ad that won a golden Lion in Cannes in 2010. The concept: football fans are taken to a classical concert by their girlfriends during the Champion’s League final. But not really; they get to watch the final on a big screen. Clearly a strategy/concept with mileage. Created by the United States of Fans.

We learned a new word today; ‘captcha’ – the text you need to fill out in an online form to make sure you’re not a bot. TBWA used it to promote a free eye exam at Pearle opticians. The hard to read captcha on the left changed into the banner on the right; ‘Time for an eye exam’. The banner directed the consumer to the Pearle site where an appointment could be made. Simple but sweet.