This is episode 1 of an online film about the shoot of a Philips product demonstration – a story within a story, so to say. It didn’t sound very appealing to us, but ‘Nigel & Victoria’ turns out to be a fairly watchable boy-meets-girl ‘comedy’. At the same time it’s a pretty clever and friendly way to showcase your products to the world. The story revolves around Nigel, your typical Philips brand manager – British actor Ben Willbond – who falls in love with the actress starring in his product demo film, Victoria – Dutch actress Victoria Koblenko. The format allows Philips to very bluntly integrate its products into the story, instead of using (relatively expensive) subliminal product placement. Still, the relevance of the products is sometimes taken with a grain of salt – “They’re washable headphones, ok? It’s revolutionary”. It is refreshing to see Philips take itself not too serious. The series was made by online production company Wenneker TV and Hoot Comedy – a London based ‘Comedy Department for hire’. Though a very interesting new form of product placement, one question remains; are people willing to spend 8 x 4 minutes watching a moderately funny comedy with Philips written all over it? The fist 4 episodes raised little over 50.000 views in total. Though we think it deserves a few more, the story is either not very well seeded or simply not viral enough.

Mobile telco provider Hi embraced Facebook over the past years and especially the ‘Like’ icon. And since in Hi’s most recent commercial the brand shows how we sometimes neglect our moms, it introduced this Mother’s Day tattoo, created by Morrison Schiffmacher (the daughter of the famous tattooist Henk Schiffmacher) to make ‘mama’ feel special. It is an app that allows you to create a virtual tattoo through your webcam. You can scale it, turn it, blur it, etc. to make sure it looks like a real tattoo. And then, of course, you can make it your profile picture or – better even – send it to your mom to freak her out and make her love you at the same time. What a great idea. On top of this, you can even win the tattoo in real ink, if you give Hi a good reason for wanting it – and not have much taste, for that matter. Created by FHV/BBDO.

Photo: Maurice Mikkers
The biggest winner last night at the ADCN (Dutch Art Director’s Club) awards was Lemz. All the ‘bulbs’ – of which one was a Grand Prix (the very best integrated work) – went to their Fireworks campaign. Our very favourite campaign of the year Domino’s Pizza Pepperoni by Indie won one Golden and two Silver bulbs (TV, internet and activation) – in our opinion it was at least as good as Lemz’ work. Wieden also won one Gold and two Silver for Heineken’s ‘The making of The Date’ (internet, TV, and activation). Selmore won Gold for Bavaria and Hugh Heffner – so we can be sure that Charlie Sheen will also win Gold next year. We were a bit surprised that N=5 won Gold for Telfort – not really our taste. Y&R won one Gold and two Silver for LG’s ‘smart thief‘ (internet, TV, and viral). A bit strange that alle these films are winning different prizes for the different channels through which they are broadcasted – does the channel matter? Another one of our favourites was Hema’s with a push-up bra in print, promoted by a male model, going viral big time – by Doom & Dickson. It won Gold and Silver. Note: Hema is one of the most down to earth department stores in the Netherlands. TBWA won Gold with its print campaign for DIY chain Gamma; free Lego – “Just like dad.” In Interactive Tribal DDB won Gold and Silver for ‘Obsessed with Sound’ for Philips. One of the most impactful commercials of the year by Publicis for ALS won Silver – “I have died by now.” Special bulbs went to Mischa Rozema (for directing OFFF), Christian Borstlap (art direction and illustration, for LV and Mr Porter), and Simon Warner (photgraphy, for Octopus).

We were invited to Digital Dinner at Rainarai, an Aglerian restaurant in Amsterdam. Though the food was wonderful, the portions were a bit meager. And since there was plenty of alcohol, we’re writing this piece a bit hungover. But the good news is that the evening was packed. Achtung!’s Dick Buschman did the introduction, explaining that Emerce initiated the event to connect with the Dutch creative industry. The organization (Achtung!, Bert Hagendoorn, and Pop The Campaign) then asked Creative Social to select some interesting speakers. Marc Chalmers (Perfect Fools), founder of Creative Social explained how members of Creative Social have to introduce theirselves; they have to show what they are working on and finish their presentation with the words “That’s me that is.” So we had the honor to witness the introduction of the 10 new Creative Social members.

Some of the new members showed a case film, which made things paradoxically a little less personal. That’s probably why the person we remember best didn’t need a voice over to introduce himself; James Cooper, Chief Innovation Officer at JWT New York, presented the first ‘bad ass’ ping pong clothing brand, called Thompson Punke. He loves ping pong, but hated the fact that there are no cool ping pong clothing brands. Not very digital, but very funny. Anders Gustafsson, from Goodby, Silverstein & Partners, shared his Chevrolet Sonic campaign which was launched during the Super Bowl with the OK Go clip. In the next stage the Sonic is doing stunts, like bungee jumping, and the online community gets initiate the stunts by Liking them. Achtung! shared its Volkswagen Fanwagen case, a virtual VW Minivan turned into a real life ‘wagen’ – here’s the very smooth animated casefilm. Volkwagen’s briefing was; give us 30.000 Likes. Thanks to the Fanwagen VW is now the no.1 Dutch car brand on Facebook. Another new member, Cris Baylis from Tribal DDB, shared what seemed to us the most techy concept; ‘Obsessed by Sound’. A website for Philips that took Tribal a full year to build and allows you to single out any of the 51 members of the Metropole Orchestra. The other new Creative Social members are Sam de Volder, These Days; Tony Högqvist, Perfect Fools; Liz Sivell, Start JudgeGill; Alessandra Lariu, She Says; Rogier Vijverberg, SuperHeroes; Sam Ball, Lean Mean Fighting Machine. Thanks, Digital Dinner, for inviting us, an inspiring night it was!

With a track record like Tribal DDB it’s hardly a surprise that they became interactive agency of the year at Eurobest this year. Throughout the year they’ve been making great and award winning work for KLM and Philips. The climax of their award victory march has been Eurobest this week; out of the 12 nominations they won 9 awards – for Philips Obsessed with Sound 4, for ‘Wake up the town‘ 2, and for KLM Tile & Inspire 3. What really took us by surprise was ‘The Legendary Making of The Date’ for Heineken by Wieden+Kennedy winning a Grand Prix in film. We already noticed that every big budget commercial nowadays gets a making of to create some relatively cheap content – and PR for the agency, for that matter. But actually winning a Grand Prix with the side project of a campaign is quite something. Back then we said: “Not your standard ‘making of’, but one made with ‘joie de vivre’ and lots of CG jokes. If we weren’t already, this would want to make us work in advertising”. The commercial itself, ‘The Date’, also won silver in film, and ‘The Entrance’ won gold. We were told that AKQA’s London office sent in the work of AKQA Amsterdam, so you could say that the Grand Prix and Gold in Mobile for Heineken Star Player (social betting on football matches), also went to Amsterdam. DBB and 180 won silver in film for ‘Old Lady’ (Volkswagen) and ‘Marked for Life’ respectively. We also had the Epica awards last week. W+K won 5 Epica’s plus a Grand Prix for ‘The Entrance’ and ‘The Date’ combined. Again W+K won an award (gold) for the ‘extra’s’ – some extra mini scripts around ‘The Entrance’. 180’s Marked for Life won gold and silver. Finally Lemz did well with 2 silver and 2 bronze for IKEA 365, KLM Live Reply, and ‘Children see things differently‘. In total Amsterdam won 22 Epica awards. One final note to Eurobest and Epica; can you guys please merge? There’s no reason to have two identical continental award shows – except making lots of money, of course…

Last month we wrote about Tribal DDB’s campaign for Philips ‘Make me a morning person’, which asked real people to share their Wake-up Light experiences. Here’s the result; Iris works at Artis and is very grumpy in the morning, but as you can see she has totally changed thanks to the Wake-Up Light. Here‘s another one with Wernke. A new light, A new dawn, so to say. We like the look and feel of this film; the stop motion effects and playful edits make sure Philips doesn’t take itself too seriously – after all we’re talking about an alarm clock here – and give the product the needed emotional touch. Nicely done by Revolver Media.