This film, asking people to wish for a brighter future of Japan, is launched a little late of course. The disaster that hit Japan on March 11th, has already disappeared from the news radar – JWT will probably argue that that’s exactly the reason for launching it 100 days after the Tsunami. Anyway, it’s a good cause and done by JWT International – based in Amsterdam, among other cities – and production agency Bang from London; reason enough to share it with you. Colin Firth lent his voice to this project and the Pixies their (existing) music. There’s also a website (bit clunky) built by De Franse Kamer that lists all the charities and institutions that take donations – a huge list.

It always feels a bit awkward when a government is trying to speak youthful – or worse, with a ‘rappy’ tone of voice – to teenagers. Especially when communicating that you shouldn’t use a knife in personal conflicts, but your voice; ‘spreekwapens’ (speaking weapons) instead of ‘steekwapens’ (pointed weapons) – making a good pun in Dutch. A bit of a Catch22 from a communication perspective; if the target is willing to engage, it’s probably not the target. And those who are the target are probably not willing to engage – they just see it as a rap video, at best. The reason why we posted it anyway, is that we like the technique that is being used for the 360° video; you can actually turn your viewpoint around with your pointer and see Sticks and Rico (from Opgezwolle and Fakkelbrigade) rap into the camera and skateboarders and BMX’ers perform tricks in a skate park – a form of navigation that we all know from gaming, but is not yet very often used in advertising. On the YouTube site the target can upload a self-made ‘spreekwapen’ (read: video). Created by JWT Amsterdam and produced by Electric Zoo.

Dutch insurer Nationale Nederlanden introduces the damage manager. He (or she) makes the handling of your damage cases so personal that you’ll easily build up a special relationship – “Hey, Joost, it’s Merel. This time it’s my car.” In fact, Nationale Nederlanden could start a dating platform on the side – “What am I doing tonight?” he asks her. Attractive, well directed, and strategically apt we’d like to label it. Created by JWT and directed by Werner Damen.

We were invited to Digital Dinner at Rainarai, an Aglerian restaurant in Amsterdam. Though the food was wonderful, the portions were a bit meager. And since there was plenty of alcohol, we’re writing this piece a bit hungover. But the good news is that the evening was packed. Achtung!’s Dick Buschman did the introduction, explaining that Emerce initiated the event to connect with the Dutch creative industry. The organization (Achtung!, Bert Hagendoorn, and Pop The Campaign) then asked Creative Social to select some interesting speakers. Marc Chalmers (Perfect Fools), founder of Creative Social explained how members of Creative Social have to introduce theirselves; they have to show what they are working on and finish their presentation with the words “That’s me that is.” So we had the honor to witness the introduction of the 10 new Creative Social members.

Some of the new members showed a case film, which made things paradoxically a little less personal. That’s probably why the person we remember best didn’t need a voice over to introduce himself; James Cooper, Chief Innovation Officer at JWT New York, presented the first ‘bad ass’ ping pong clothing brand, called Thompson Punke. He loves ping pong, but hated the fact that there are no cool ping pong clothing brands. Not very digital, but very funny. Anders Gustafsson, from Goodby, Silverstein & Partners, shared his Chevrolet Sonic campaign which was launched during the Super Bowl with the OK Go clip. In the next stage the Sonic is doing stunts, like bungee jumping, and the online community gets initiate the stunts by Liking them. Achtung! shared its Volkswagen Fanwagen case, a virtual VW Minivan turned into a real life ‘wagen’ – here’s the very smooth animated casefilm. Volkwagen’s briefing was; give us 30.000 Likes. Thanks to the Fanwagen VW is now the no.1 Dutch car brand on Facebook. Another new member, Cris Baylis from Tribal DDB, shared what seemed to us the most techy concept; ‘Obsessed by Sound’. A website for Philips that took Tribal a full year to build and allows you to single out any of the 51 members of the Metropole Orchestra. The other new Creative Social members are Sam de Volder, These Days; Tony Högqvist, Perfect Fools; Liz Sivell, Start JudgeGill; Alessandra Lariu, She Says; Rogier Vijverberg, SuperHeroes; Sam Ball, Lean Mean Fighting Machine. Thanks, Digital Dinner, for inviting us, an inspiring night it was!

This BMW ad adverises the new 8-Speed automatic transmission – “comes standard with the 1, 3, and 5 series”. It looks amazingly sexy and feels instantly right. What a great insight; BMW brings out the little boy in us. No further explanation required. And that makes it easily Cannes material. By the way, in this ad you see its full size; the Matchbox version times 43! Created by UbachsWisbrun/JWT.

In advertising beer brands are the most desirable accounts to obtain. So we can imagine Alfred has been popping some… um… Grolsch ‘beugeltjes’ when they found out they won one of the more sophisticated beer brands in the Netherlands. Grolsch, the past 7 years handled by DDB, is a beer for someone who prefers quality and good taste, rather than getting brainlessly drunk with friends. At least, that’s what it was always about. The best pay-off to illustrate that was: “One day you’ll stop drinking beer and start drinking Grolsch” (JWT). Sadly in the past years we haven’t seen any advertising with much aspiration anymore. The last one we can remember was ‘Everlasting love‘ – with the pay-off “Beer, the Grolsch way” (DDB). A few years ago Grolsch started to claim creativity in combination with music stars. Though a good idea in itself, the advertising was probably too complicated and therefore not picked up by the consumer. We can imagine that this made Grolsch go more mainstream, moving towards the other beer brands and away from its once unique positioning. The climax was the last commercial – shown above – celebrating the ‘pop’ sound, It felt so average that the pay-off “Beer that grabs you” sounded completely incredible. So, time for a change. We hope Grolsch allows Alfred to give the iconic brand back its exclusiveness. We wish them luck!