Insurer Delta Lloyd’s briefing: how do you get people to think about their pension, when “as soon as the word pension is mentioned people stop listening.” (indeed, we were quite happy to have finally learned to live in the now!) Since hoaxes are the new ‘truth ’ TBWA created a nightmare scenario (case film); an entrepreneur transforms an old jail into a fully automated budget retirement home “where the elderly are kept alive as efficiently as possible” – with small basic rooms, computerized care etc. You can easily imagine how journalists jumped on this. And then the hoax was revealed live in a talk show. This is how Delta Lloyd ‘earned’ €2.1 million in PR. Simple as that.
Ad of the month
It’s a plane… it’s a train… no it’s KLM! We’re impressed – up to a goosebump-level. This once more shows that if there are two companies that understand marketing and advertising, it’s KLM and Tribal DDB. What a fantastic concept; showing Disney’s Planes in a real KLM aircraft, and turning it into a three-dimensional experience. Actually, four-dimensional; these kids are fans for life.
A typical Achtung! concept, integrating on and offline in a playful way – and digital concept of the year, if you ask us. With this “Bannerbahn” the agency brings digital to the streets, or the streets to digital – depending on how you look at it. To introduce the new Volkswagen GTI Achtung! painted the websites of Nu, Telegraaf, Autoweek, and GeenStijl on tarmac and subsequently brought in a Stig-like character to frantically race a GTI through the banner spaces, while being filmed from the top with drones. With the exact right measurements these ‘banners’ will be uploaded on the respective websites at noon and 4pm on Friday the 13th. The readers can click the car – as quickly as possible – and the fastest clicker gets the car. It is not the first time that Achtung! creates an on/offline race; in 2011 it organised a race between Jens Button, on tarmac, and a digital opponent, in a simulator, for Vodafone. This Bannerbahn however transports the race to a digital environment, and allows everyone to participate. It goes without saying that the execution must have been quite a hassle – here is a making of (in Dutch) that shows more or less how it was done. To realise this creative feat Achtung! teamed up with Kwasten met de gasten (paint job), Thispagecannotbefound and Adrime (digital), director Lee Ford (known for directing TopGear), Deane Thrussel (D.O.P.), Munky London and Storm Amsterdam (3D and Post), and Stable TV for the teaser – featuring copywriter Joep Drummen, for that matter.
The Dutch public advertising organisation, STER, doesn’t allow commercial channels to advertise in its commercial breaks – a request of the public channels. So, for BNR (Business News Radio), it would have never been possible to advertise in one of the breaks of its direct competitor, Radio 1 (the public news channel). Until BNR asked The Oddshop to do something about this. The agency came up with the idea to create an ad for the fictional airline Bay & Air, a name that is pronounced almost identically. The Bay & Air website forwarded the curious consumer – drawn in by phrases like “The wings of entrepreneurial Holland,” “BNR connects you to all the important cities in the world,” and “Always business class, from now on” – to the BNR website. A smart and valuable stunt, since it heavily circulated on the (commercial) news channels and social media.
This ad was conceived by Amsterdam based (Korean) agency Cheel - in the rest of the world called Cheil, meaning ‘horny’ in Dutch, which sounds better than ‘yellow’ in our opinion. For client Urgenda, an organisation that wants to make the Netherlands more sustainable, Cheel created this print ad showing a girl dancing (or posing?) in her cheapo “party dress” in front of a collapsed sewing factory in Bangladesh – which happened last April – accompanied by the perfect copy “Don’t make others pay the price.” The contrast and painful insight have quite an amount of stopping power. Makes you think twice when you buy a dirt cheap piece of clothing.
Wow, we couldn’t have said it better. And that’s not just because we’re de Volkskrant’s (one of the leading newspapers in the Netherlands) mediapartner in this Creative Press Challenge. No, it’s because we fully concur with the fact that today “small ideas are blown up by big techniques and mediocre ideas carried by case movies.” So “bad ideas can’t hide in print” is a beaut of an insight. The Creative Press Challenge is an initiative by Thijs Biersteker – ex Wieden, today freelance creative – who a while ago was part of the jury of a newspaper print contest and fell in love again with the pureness of print. As partner of de Volkskrant in this Challenge, we’ll be interviewing Editor-in-chief of de Volkskrant Philippe Remarque later this summer about the state of print, in relation to advertising. And, of course, we’ll be also showcasing the eventual winner in September – without any hipster tunes, of course. The contest is invite only. First of all to make it a bit exclusive. Secondly, because the idea should be good enough to make a chance to win a Lion in Cannes – the winner will be submitted to the festival. The briefing, for that matter, is not yet released, but will be written for a charity; Free Press Unlimited – an organization that supports reliable news in countries where there’s not much press freedom. The jury will consist of Creative Directors from some of the best Amsterdam ad agencies. Finally, de Volkskrant is responsible for the professional execution, which means the concepts will be submitted and judged as sketches. Speaking of going back to the core. This promotional film, by the way, also shows that great ideas can always distinguish themselves – in any form. Not just because of the wonderful copy (Pieter van den Heuvel), but also for the craftsmanship that was put in the installation and the subtle incorporation of digital. Biersteker himself was responsible for the concept. The film was directed by Corriette Schoenaerts and shot by Hessel Waalewijn. SFX by SuperHeroes and grading by Glassworks. Sound by Amp.Amsterdam.
Banners that talk to you; we’ve seen that before. And banners that follow you (through ‘re-targeting’); we’ve seen them before too. But banners that talk to you and follow you might be a new thing. Fortunately they do so with a sense of humour. Street vendors try to sell you a fictional product – getting a little more desperate each time – that you aren’t allowed to import in the Netherlands, such as knives and counterfeit bags. So, next time you get caught at Dutch Customs with your dirt cheap “Dolce & Banana” bag, you can’t really say they haven’t warned you. Created by JWT.
What a perfect idea. A ‘KINGsize’ peppermint roll specially made for the coronation of Prince Willem Alexander. Instead of the usual brand name King (a Dutch brand that exists since 1922), it reads: “His majesty King Willem-Alexander, King of the Netherlands, Prince of Oranje-Nassau” – three new titles for the Prince becoming King. 1000 copies of this limited edition roll, measuring 1 meter in length and containing 189 peppermints, will be handed out to the public during Queensday – or actually Kingsday, as from tomorrow. The idea was conceived by Being There.
Impact-wise this film is quite similar to the previous Amnesty International commercial we featured on this blog last summer – ‘Hooded.’ This one leans heavier on the confronting and almost poetic (“the silence whispers in your ear at night”) copy. If the rotten smell, the thirst, and even the bruises and cigarette burns become your allies, because they tell you you are still alive, then you easily believe that the silence makes you feel invisible, and that there’s even a point where you can’t remember the sound of sound. The alarm clock at the end annoyed us a little, but maybe it should. It wakes you up and tells you need to take action to end the silence. Craftfully created by CCCP.