The commercial we’re showing today is not that interesting in itself. It is about Red Bull sugar free being distributed all over the place. To stress this message, Red Bull hid 4-packs of Red Bull throughout the Netherlands. And with some hints on a dedicated website you can search and find them – yawn… What is interesting about this project is that the animation was created by “junior” director Aras Darmawan from Indonesia. We don’t know why he is called junior, cause the animation looks pretty senior to us, but the fact is that he is part of the PanicProgram, a new brand recently launched by (post) production agency PostPanic to give new visual talent (both local and international) a chance to show their skills. The other side of the cutting knife, is that PostPanic can also take in projects with meager budgets. A great idea that will hopefully give many ‘junior’ directors wings.
Archive for the ‘Animation’ Category
PanicProgram gives ‘junior’ directors wings
Wednesday, September 1st, 2010Go South Africa!
Friday, June 18th, 2010This sympathetic stop motion animation was created by a group of independent creatives from Amsterdam – see credits at the end. It was initiated by Robbert-Jan Vos (Dwarv), an independent film maker. He told us he visited South Africa in 2006 and was so impressed by the racial complexity of the country that he wanted to send out a positive message to the world now that the World Cup is being held there. We like the clunkyness of the animation, cause it makes you realize how much work it must have been to make.
LeasePlan Bank makes a commodity look sexy
Friday, April 16th, 2010We don’t show too many commercials of banks. Usually they are quite boring or meant to be ‘funny’. This one, for a new savings bank, called LeasePlan Bank, is pretty o.k. Not because it introduces a new bank. Not because the copy tells us that this bank is honest and transparent. Not because it explains that we can do different things with our savings – we knew that already. And not because the interest rate is matched with Euribor. If today we would have some money left to put on a savings account, we probably would simply compare the interest rates of different banks, to decide where to put it. What we like about this commercial is that it’s ingeniously made and visually distinctive. We would even trust this bank for its clean look and feel. It was created by Selmore and (post) production agency The Ambassadors. The latter developed software especially for this commercial to get the (virtual) 50 Euro bills to make all the different shapes and visualize the narrative. The effort has paid off. If you sell a commodity, you better make it look sexy.
Easter egg hunt in supermarket App(ie)
Wednesday, April 7th, 2010
These are the Easter eggs that were hidden by Holland’s biggest supermarket chain, Albert Heijn (AH), in the latest version (1.5) of its iPhone App. The App, called Appie – a good choice of name, since many Dutch use it as the grocer’s nick-name – helps its customers to make a grocery list, search for recipes and of course find the latest ‘Bonus’ offers. Though probably only a tiny part of AH’s customer base will frequently use the App, it shows that AH wants to create added value for its customers in an innovative way. And that, we believe, makes the grocer very likeable. And since we’re only at the beginning of the App revolution, you can expect many more services on the App(ie) in the future. Anyway, to show that AH has a sense of humour, some Easter eggs were hidden in the App this Easter. On Twitter (#Appie) hints were given about where one could find the eggs. AH also hid a IRL Easter Egg in one of its stores. The person that found it, won an iPad (not on sale yet in the Netherlands). The Apps were built by digital agency Muse. If the 1.0 version of the App won’t win an award (for digital advertising) at the SpinAwards tomorrow, the 1.5 version definitely should next year.
Rise and Fall; Arty AR webcam experience
Monday, March 22nd, 2010
This trailer promotes the March issue of Boards Magazine dedicated to Innovation. The Canadian magazine on international commercial production asked Theo Watson and Emily Gobeille of Nexus Productions to develop an interactive cover to articulate this month’s theme. The result is Rise and Fall; an augmented reality (AR) webcam experience. By holding the magazine cover up and down in front of your webcam, a story unfolds that rises with the birds or falls down into the ocean with the fishes respectively, accompanied by little cryptic text cues. Amsterdam based MOST was responsible for the sound effects – that clearly contribute to the arty interactive experience. The technique of using the webcam for AR advertising is becoming more and more popular. Recently we saw an impressive AR Adidas Originals sneaker ad, made by Sid Lee Montreal/Amsterdam – here’s the teaser. For those of you that don’t have this month’s Boards issue, here’s a demonstration by Theo Watson himself. And if you want to see a live demonstration, and a peak behind the scenes, you should visit the upcoming Boards Summit Europe in the Beurs van Berlage in Amsterdam on March 24.
‘Tansu’ sneaker for Onitsuka Tiger
Thursday, February 11th, 2010Here’s a teaser for the new Onitsuka Tiger campaign made by Amsterdam Worldwide (AW). What a cool brand to work for. First of all Onitsuka always seems to give its agency carte blanche with respect to coming up with truly creative stuff. Secondly the brand proposition ‘made of Japan’ allows AW to draw inspiration from the rich Japanese culture. Every year the agency creates a giant sneaker with a special Japanese theme. Last year it was the Zodiac calender. This year the agency created an integrated campaign around the traditionally crafted ‘Tansu’ (a chest with box shaped drawers). It took a team of Tansu masters four months to handicraft the shoe shaped ‘Kaidan’ (step) Tansu, using techniques that date back from the time of the Samurai. Back in the days these chests were used both as a cabinet as well as a hidden ladder that made upstairs lofts look inaccessible – and thus not taxable – to the tax collector. But there’s more; the Onitsuka shoe works like a puzzle; the boxes must be unlocked in a specific sequence to unveil its hidden treasures. For those who cannot admire the real chest – on display in Onitsuka’s flagship stores – AW made an online version that invites the consumer to solve the puzzle. The project is topped off with special instore Tansu-themed materials. Talking about craftmanship…
Ambi Pur tickles the senses
Monday, November 16th, 2009
G2 Amsterdam, together with Perfect Fools, created a website (this is an English demo, in Dutch the site is called ‘fragrances from nature’) for Ambi Pur that tickles almost all your senses – unfortunately not smell. The site, beautifully made with a combination of photography and animation, shows where Ambi Pur’s new ‘National Geographic’ fragrances ‘Japan Tatami’ and ‘Nevada Desert Flower’, come from. The joint promotion together with National Geograhpic (NG) feels a little stretched. Certainly NG is the specialist in showing remote and wonderful sceneries, but what has that got to do with smell? On the other hand, NG is a very strong brand that will certainly give credibility to the sceneries shown. Unconsciously the consumer might very well believe that Ambi Pur’s fragrances are therefore more exclusive, natural and special than those of the competition. Let’s see if both brands can think big and produce the first mass market scent DVD: ‘a fragrant journey into nature’ – or something along those lines.
Big bank theory wins Dutch design award
Thursday, October 22nd, 2009Already in January we called this commercial about the Big Bank Theory by Dawn ‘state of the art storytelling’. Last weekend the beautiful animation, made by Postma Graphics and Motions, won a Dutch design award for best motion design. A good excuse to show it again.
Playgrounds Festival; the real world of 3D fantasy
Friday, October 9th, 2009
We saw the premiere of this beautiful trailer for the international Playgrounds Festival on Wednesday at Press Play, a special launch for the festival, held at hybrid studio PostPanic. We have to admit that we had never heard of the festival before – maybe because it’s held in Tilburg – but learned it shows the best of digital audiovisual art in the world – music videos, animations, commercials, character design, VFX and games. The event at PostPanic gave the Amsterdam creative community a taste of what’s to come next year when the festival relocates to the city. There were four artist talks on the night; UVA (London), Pleix (Paris), Dvein (Barcelona) and PostPanic’s Mischa Rozema. This trailer, combining live action with animation, was directed by Onesize and produced by Revolver Media. It conveys the essence of the festival; creating a 3D fantasy that looks so authentic that it becomes reality.
