Since we hate festivals that don’t have tap water freely available, we’re heavily applauding this film created by Delight Agency for dance label ID&T. Of course ID&T is not the first party to advertise tap water – have you ever seen this wonderful video? – but a very influential one. Cause if they propagate tap water, it might just become the standard at festivals and spread awareness more quickly. The animation, titled – “It’s lonely at the tap” – was made by David de Bruijne and the illustrations were done by Tim Boelaars.
Wow, what a beautiful animation, consisting of 7000 individual objects made from virtual paper and bringing an ode to the Dutch wind. As you can see the story explains that the wind brought the Netherlands a lot; being able to live below see level and the Dutch East Indies, for example. If you don’t speak Dutch, don’t worry, the copy gets a little lost in the middle anyway. What you should remember is that together with Eneco you can invest in wind mills, which clearly taps into a cultural and political trend. Eneco thus smartly introduces a product of this time; wind certificates. FHV BBDO and Achtung! are responsible the entire campaign. And Achtung! specifically for the animation, which was built by Colorbleed. Sound by Audentity. Here‘s a little behind the scenes.
Following on from the appointment of KesselsKramer as the new European Brand Communications agency for C&A, we just found out that PostPanic is also part of the repositioning of the global brand. C&A Summer is the second in a series of retail films created by the PanicProgram (PostPanic’s special program nurturing young, emerging directional talent), in association with strategic branding agency Meanwhile. This film, directed by Erwin van den IJssel for instore communication, is based on the seasonal collections from C&A and follows themes in tune with the times of year. Van der IJssel chose a motion graphic animated execution based on the textures of fabrics and colourways from each seasonal clothing range. The result clearly conveys a more creative direction for C&A.
A claymation, we had never heard of that. Production company The Ambassadors just made one, together with director Vincent Lammers, character designers Nick Groeneveld and Patrick Chin, and agency Selmore - responsible for the concept. Here’s how they did it – more or less. And, yes, at The Ambassadors they have a receptionist and drink coffee. Speaking of which, it’s for dessert brand Mona. You can choose your favourite dessert of the month. And the one with the most votes will reappear on the supermarket shelf. Simple and smart. You can find the final commercial here – with some catchy (Dutch) copy.
We came across this ‘Climachill’ video for Adidas on Glassworks’ website. It is yet another animation zooming in on a garment’s fabric. We’ve seen this before in Glassworks’ film for G-Star and in two films for Nike (!) – the latter about temperature regulation as well (cool / warm). It seems as if Glassworks’ director Rudiger Kaltenhauser has a skill-monopoly on these kinds of fabric-porn 3D animations. Oh yeah, and it features David Beckham – duh. The agency behind it is Meanwhile, the sound was done by Kaiser Sound Studios.
You almost get the impression that Chinese mobile brand Oppo wants to tell us that its phones require rare earth elements, but that’s not the case. According to animation studio PlusOne the main message is that the Find 7 is brought together piece by piece. That’s not really a unique feature, of course, but when you look as smooth as the Find 7, you don’t really need a good story; you just show the product. PlusOne also sent us a breakdown of the creative process, with the storyboard, animatic, work in progress and the final film running simultaneously. Looks as smooth as the phone.
Last month we wrote about Absolut’s creative collaboration project #Nextframe, with Brazilian graphic novel creator Rafael Grampá and Red Knucles (who is behind the 3D animations for the band Gorillaz), inviting consumers to co-create an animated film. The ideas for the characters and storyline came in through the brand’s Facebook page, and were transformed from 2D characters into 3D. The final result was presented last weekend at creative hub MADE in Berlin. We didn’t really get the plot – which shows how difficult creative collaborations are – but it is a beautiful film nevertheless.
A a few months ago we interviewed the creators of the new Absolut campaign by Sid Lee Amsterdam. The campaign now has a follow up, called #Nextframe, a collaboration with one of the artists that was featured in the launch; Rafael Grampá. Apart from this film (sound by Audentity), the campaign takes place on Absolut’s Facebook page and encourages consumers to collaborate with Grampá and co-create his story. To help him transform his 2D characters and script into 3D, Grampá has teamed up with Red Knuckles London, the acclaimed animators who brought the Gorillaz characters to life. Once complete, Grampá will transform the suggestions into a 3.30’ animated film, which will premiere at MADE Berlin Gallery on March 15th.
Or rather: 100% Halal would like to present: Jonas and the Sea (for English subtitles in the teaser video, click the CC button). The agency is working on a short animated film and has (as of today) 30 days left to raise sufficient funds to be able to give the project a happy end. Jonas and the Sea ”is a classic story about a man who casts aside everything and everybody in pursuit of his dream. A dream we all share: the quest to find the place you can call home, wherever it is – even if it’s underwater.” The film will be the debut for Marlies van der Wel, illustrator and animator from Amsterdam. Jonas’s concern for the environment and his quest to find his way home come straight from her: “When we grow up we all ask ourselves: Where do I want to be? Where am I happy? Where do I feel at home? I find these questions fascinating.” The animation is already in production (thanks to some Dutch film funds), but the amount still to be raised would allow to actually finish the production process and pay for distribution. In return for your support you get: tickets for the premiere, credits as Associate Producer or a framed still from the film – depending on the amount you donate. Here you can show 100% Halal the money!
Here’s a website worth sharing. GMC dedicated most of it advertising budget to a site around the new GMC Sierra, which makes it pretty state of the art. You can scroll through the experience with a first person point of view, moving in, around, and even beyond the car, showing all the special features, such as a rolled steel exterior, a cornerstep at the rear bumper (even made for extra large boots), and a quieter cabin. All these features are inspired by submarines, jet fighters, and even the Hoover Dam, making this pickup truck not just your typical Midwestern companion, but also a very modern car. For the connoisseurs; technically the site is built in HTML5, has a “dynamic Z-axis feel” (whatever that means), has “content dependent scrolling interactions,” and contains “originally produced, full-frame scrollable HD animations.” Enough words, already, it’s best to just experience it yourself. The site was created by DigitasLBi Boston and built by MediaMonks.