Quite a teaser this commercial made for the Ministry of Social Affairs that advertises a platform that tries to stimulate people to make more out of their working lives. The platform and its experiments have been developed together with the University of Amsterdam, which is actually why it might be a little too highbrow for the lethargic target it tries to motivate. But all in all it’s beautifully executed and a typical THEY concept; educational and well designed. The film was directed by Jeroen Annokkée (CZAR) and the site developed by MediaMonks.
Tag Archive: CZAR
Last year Khanna\Reidinga, in collaboration with director André Maat (Czar.nl), launched an ad for the fictitious product Boss Noodles. With this ad the agency very successfully picked up an existing internet meme, receiving over 2 million views. Naturally this tasted like more. So K\R created a new product; Energy Noodles, inspired by the professional cycling industry and their performance enhancing drugs. There’s also a website, purposely built in Flash, cause “that’s exactly what a brand like Energy Noodles would have done.” K\R is already planning to create a third film to continue the noodle sage. To be continued.
Get It Done is an online crowdfunding platform for small human-needs development projects all over the world. Amsterdam-based freelancers Philip Brink and Hugo van Woerden (Philip & Hugo), together with production agency CZAR, last week set up a project in Capetown, South Africa. The concept was simple; every donation (to reach a total of €10,000) was worth some singing, acrobatics, acting, or dancing, by the students of the Ubuntu Academy. Within one day (of 12 hours) they created 170 thank-you-videos. A few examples: Dutch singer Guus Meeuwis received his own song in South African, DJ Don Diablo a rap, and copywriter Johan Eleveld the Haka. See more videos here.
Mobile provider Hi and FHV BBDO add yet another humorous commercial to the 3-friends series – earlier we featured ‘Who needs phone calls?’ and ‘Hi Likes Facebook.’ A good example of a relatively simple (in the positive meaning of the word) concept that rises above itself through the awesome (art) direction – kudos for director Jeroen Annokkee (CZAR). Minor deception is the final scene, possibly dragged in by the client; the chef chopping the mobile phone in pieces. Another – more serious – deception is the fact that ‘All you can eat’ is not really all you can eat; the subscription comes with a data limit. Which typically is the most limiting element in todays mobile subscriptions. So what’s new in this proposition? Reminds us of the saying: “Advertising is the price you pay for having an unremarkable product.”
Centraal Beheer (CB) is an insurer known for showing the shit hitting the fan in their ads. Their commercials always end with the famous pay off ‘Just call us.’ Khanna \ Reidinga, inspired by Red Bull and Felix Baumgartner, created a spoof on CB’s advertising format; with an Austrian-like accent Baumgartner begs ground control to send him higher and higher. Until… tada… he is in space. Hesling Reiding from K\R; “We were surprised that Baumgartner’s jump got so much attention in the media. Even the respectable BBC broadcasted a 60-minute during documentary about it. That’s how we picked up this idea.” Just like the previous Boss Noodles ‘viral’ a sympathetic way to create some free exposure around their new ad agency. Directed by Gerrit Willemsen (CZAR), post production by Justin Baker (the Bakery), and sound by Feike de Wit (Soundcircus Kees Kroot).
You’d guess that selling lottery tickets during a crisis is easy. But when you hire an international celebrity on his return, you start to wonder. Then again, maybe David Hasselhoff is the perfect character to emphasize the fact that the ‘Millions Game’ lottery doesn’t just have one big prize, but many ‘small’ prizes of 1 million. After all, once the south of France is infested with Dutch millionaires, ‘the Hoff’ makes a credible loser: “Who are all these people?” Created by Joe Public and directed by Rogier van der Ploeg (Czar).
Pensions are intrinsically complicated. So when people talk about your pension, it would be nice if they speak your language – not Chinese as in this film. An attractive way by Delta Lloyd to tell its customers they answer “financial questions in normal Dutch.” The film was created by TBWA and directed by Bart Timmer and Willem Bos of Czar. Here’s another one with two flight attendants speaking Swahili – representing mortgage-talk. The only thing we don’t get is the pay-off “Critical at the right moment” – what do you mean ‘at the right moment?’ “We speak your language” or something would have much better wrapped up the film, so we’re guessing the current pay-off was developed for a different campaign.
This online film, created by Khanna \ Reidinga (K\R) and directed by Willem Gerritsen (CZAR), announces the arrival of TomTom’s navigation software for Android OS. It was the iconic Android robot that inspired the agency to let TomTom ‘do the robot’ – ironically enough to humanize the navigation brand. The last time TomTom tried to make its brand more likeable, it painfully failed with a dancing John Cleese. This one, with real (!) TomTom employees and a very distinctive, catchy track, works a lot better. The film also features the Danish ‘So You Think You Can Dance’ winners Nick and Jeppe – whoever that may be. According Hesling Reidinga, the short and tall guy were used in the moodfilm and looked so credibly ‘office-like’ that they decided to use them in the commercial as well. With or without them, an attractive film.
We like this one. Mom is waiting for her son to call. But as you know there’s a whole new generation that hardly uses its mobile to make phone calls. Hence the song (that spoofs a well known Dutch song, by Stef Bos) more or less saying “I use Facebook, WhatsApp, Twitter, all my crap needs to go on the web.” But only when it’s really necessary these guys make a phone call. When it rains for example and there’s no transport. But mom is not buying it; “saka saka boy” (asshole in Sranan) is what she answers him. In the previous commercial we were still surprised that Hi was promoting WhatsApp. Shortly after that we heard the CEO of KPN (Hi’s mother company) say that he didn’t see the decline of mobile phone calls coming – not displaying an incredible amount of vision. As the more versatile and younger brand, Hi has now fully and explicitly embraced the trend of using free online services with the apt pay off “Who needs phone calls these days.” Dynamic times in the telco business. Created by FHV BBDO, directed by Jeroen Annokkee (CZAR).
Finally, Amsterdam wins its first golden Lion – in cyber. Nike’s ‘Write the future’, created by Wieden+Kennedy has already won a truckload of prizes, but winning in Cannes, is the cherry on top, of course. The campaign won in cyber, because it used social media very effectively; the film received 40 million online views. And since the film is so impressive, we expect it to win (at least) a golden film Lion this Saturday. Two virals were rewarded with a bronze Cyber lion. The first one: TomTom’s special edition StarWars voices – created by Pool Worldwide and directed by Willem Gerritsen (CZAR). This film will surely also win another Lion at the end of the week. The other viral, was Liquid Mountaineering for Hi-Tec by CCCP – a brilliantly executed mockumentary. Interesting detail; this second viral was also directed by Willem Gerritsen. In design two silver Lions were won. One by Amsterdam agency BrandBase for its pallet project, a unique working environment, built entirely from pallets by Most Design. The other silver design Lion went to Heineken’s STR bottle, a bottle that lights up in the dark thanks to its UV-sensitive ink – created by dBOD and Iris.