We weren’t physically there when last night no less than 30 ‘Spins’ (rings, either gold or silver) were awarded to the best digital work of the Benelux at the SpinAwards. Instead, we were mingling with the lesser gods at the NewWork Pre-Party. After ten, though, when the SpinAwards opened their doors for the after party, we were able to congratulate all the winners in person. First of all, Tribal DDB. The big winner with three golden awards; two for Obsessed with sound and one for KLM Tile & Inspire. On top of that Tribal won the agency of the year award. Lemz also won big with five Spins. Three Silver Spins went to Taskforce Tracing Bomb makers, targeted at teenagers making their own bombs around New Years and showing the impact proudly on YouTube. The Taskforce downloaded the videos and re-uploaded them with a warning to the bomb makers. Lemz also won two silver spins with KLM Live Reply. And – not much of a surprise – KLM became advertiser of the year. Buutvrij For Life won two awards with their ‘Pass it on day’ – they asked all their Facbook friends to form a line through Amsterdam to pass on their office interior when they were moving offices. Unofficially they also won a third award together with Cote d’Azur for ‘Everything smells like chocolate.’ Boondoggle won two awards with ‘Cordeals’ for Cordaid and with Medi-Plaza.nl for the government. The latter case is slightly similar to the Taskforce concept; consumers who were buying medicines online were led to Medi-Plaza, when about to make the transaction they were confronted with the message that buying medicines online is a dangerous affair. Red Urban won two awards with the Russian Roulette app for Duyves and their ‘Like’ campaign for KPN. Click on picture to see the entire list of winners.

Yet another cool online activational piece of advertising by KLM, created by Ice Mobile; the KLM Passport app, an app that turns traveller’s journeys into movies. This film, developed by Muse, shows more or less how it works: you choose a theme (adventure, around the world, island hopping, in the snow, etc.), select the best pictures and videos on your iPhone taken during your trip, and the app creates a need little movie. It all looks very smooth. The only downside of the concept is that most people still use a camera instead of their phone to collect travel memories, so the question is how many people will actually use it seriously. Nevertheless it shows once again that KLM understands that travelling is more than just buying a plane ticket.

With a track record like Tribal DDB it’s hardly a surprise that they became interactive agency of the year at Eurobest this year. Throughout the year they’ve been making great and award winning work for KLM and Philips. The climax of their award victory march has been Eurobest this week; out of the 12 nominations they won 9 awards – for Philips Obsessed with Sound 4, for ‘Wake up the town‘ 2, and for KLM Tile & Inspire 3. What really took us by surprise was ‘The Legendary Making of The Date’ for Heineken by Wieden+Kennedy winning a Grand Prix in film. We already noticed that every big budget commercial nowadays gets a making of to create some relatively cheap content – and PR for the agency, for that matter. But actually winning a Grand Prix with the side project of a campaign is quite something. Back then we said: “Not your standard ‘making of’, but one made with ‘joie de vivre’ and lots of CG jokes. If we weren’t already, this would want to make us work in advertising”. The commercial itself, ‘The Date’, also won silver in film, and ‘The Entrance’ won gold. We were told that AKQA’s London office sent in the work of AKQA Amsterdam, so you could say that the Grand Prix and Gold in Mobile for Heineken Star Player (social betting on football matches), also went to Amsterdam. DBB and 180 won silver in film for ‘Old Lady’ (Volkswagen) and ‘Marked for Life’ respectively. We also had the Epica awards last week. W+K won 5 Epica’s plus a Grand Prix for ‘The Entrance’ and ‘The Date’ combined. Again W+K won an award (gold) for the ‘extra’s’ – some extra mini scripts around ‘The Entrance’. 180’s Marked for Life won gold and silver. Finally Lemz did well with 2 silver and 2 bronze for IKEA 365, KLM Live Reply, and ‘Children see things differently‘. In total Amsterdam won 22 Epica awards. One final note to Eurobest and Epica; can you guys please merge? There’s no reason to have two identical continental award shows – except making lots of money, of course…

The impressive series of interactive ads created by Tribal DDB Amsterdam in the past year has found the right award show to get fully appreciated; The Lovie Awards. Named after Ada Lovelace, an English writer who lived in the 19th Century and – believe it or not – wrote the first algorithm. That’s how the Lovie Awards should represent “European innovation and creative ingenuity”. Tribal won three golden awards (out of a total of 40) for Philips with ‘Wake up the town’ (featured in this post) and ‘Obsessed with sound’ – and a handful of others. KLM’s ‘Tile & Inspire‘ won two silver and one bronze. Other awarded Amsterdam agencies were LBi Lostboys (Anne Frank), Pool Worldwide (TomTom and Sound Circus – great website!) and Blast Radius (Hugo Boss).

We don’t really like this case film – though Lemz’ new case film voice-over is an improvement – but we do very much like the ‘Live Reply’ concept conceived by Lemz. KLM wanted to convey the message that they have a social media service, which answers all your questions 24/7 through Twitter and Facebook within the hour. That in itself is quite innovative. And communicating it through 140 KLM employees that physically hold up the answer gets easily picked up by the same social media. The only unfortunite thing is that we tried it and only received an answer the next day. We’ll forgive KLM though, since it shows they embrace both new ways of communication and their customers. A lesson to be learned; if you actually listen to your customers, they will be very forgiving.

Yesterday was a good day. Not just because it was our first day in Cannes and we enjoyed soaking up all its extremes – Le Palais, the sun, the beach, ‘le canard au miel’, and lots of drinks – check out our photo’s here. It was also a good day for Amsterdam, because it won 5 Lions! Two silver lions went to outdoor; Interbest ‘mail stripper’ and the Go Fast water-bike, both to Y&R Not Just Film. At the time, we weren’t too positive about the unattractive stripper, because we doubted its effectiveness. You could say the silver lion has proved us wrong. Two bronze lions went to the radio commercial ‘sexual harassment’ (Publicis) and an Allsecur outdoor ad (Ogilvy). In Media Muse and Starcom won Silver for their 3D Samsung projection. Earlier, on Monday Amsterdam won two meager bronze lions; the Dutch dress for Bavaria in promo – which definitely deserves more in our opinion – and bronze for Boondoggle’s KLM Suprise in PR – in Holland this won a golden Spin (read: cyber) award. Hopefully we’ll be able to celebrate some gold later this week.

Last Thursday the Spinawards were divided between the top digital agencies in the Netherlands and Belgium. In ‘Online’ there were two golden awards; ‘Philips wake up the town’ (A fantastic concept by Tribal DDB) and ‘Hi-Tec Liquid Mountaineering’ (a very strongly executed viral by CCCP – judged as the best mockumentary of 2010 by Adage). There was one silver in Online; KLM Surprise (see embedded case film) – this also won gold in ‘Cross Media’. KLM Surprise winning two Spins was indeed a surprise. The concept is quite thin; passengers at Schiphol airport using Twitter or Foursquare were given a special gifts that matched their travel plans – seeding the shaky film footage online didn’t make it a stronger concept. In our opinion the only fair award for this surprise would have been in ‘Social Media’. Speaking of social media, in this category Boondoggle won silver for ‘Take Mokum’ – “a great way to activate your audience” is how we judged it back in September. The three awards for Boondoggle made it digital agency of the year – regardless the surprise a fair decision. KLM – also winning a second golden award for iFly Magazine in ‘Content’, created by Born 05 – became digital advertiser of the year. Considering the amount of innovative stuff KLM has created in the past year, their award was entirely deserved. Muse & Ice Mobile won gold in ‘Innovation’ for their app ‘Appie’. Indeed one of the more innovative concepts we’ve seen last year. Another gold went to the addictive game ‘Noisia Infection’, created by Flavour – “playful branding”. A very strong Spinaward (gold) went to the Blurshirt for Beachmasters (party holidays for teenagers), in the category ‘Young Talent’. It was  created by Nik Sluijs and Nanette Visser of de Willem de Kooning Acadamy. The shirt has a shotcode underneath the collar so that, when embarrassing pictures are uploaded on social media, the face above the collar automatically gets blurred. Now there’s a concept that taps into a serious target group need.

Another great idea by Tribal DDB for KLM; Travlr, a website that inspires travelers by aggregating geo-tagged holiday snapshots and presenting them on a navigable map of the world. Travlr allows you to search for – let’s say – ‘scuba diving’, together with a budget (the link to an airline ticket), and the map offers you all there is to find about scuba diving on YouTube, Twitter, Google Maps, Wikitravel, Flickr and Foursquare. A difficult task, since the algorythm needs to filter out all the crap that is floating on the internet – that’s why the platform is still in beta. We’ve often asked ourselves why Lonely Planet doesn’t use more traveler generated content -  the ultimate strategic fit – but now that KLM is jumping into this opportunity, we certainly hope Travlr will be nurtured and raised to become a mature travel platform. It would add a huge amount of value to the brand and KLM might even be able to expand its products and services beyond that of an airline. Very innovative.

Since the 1950s KLM offers every World Business Class passenger a gift; a Delft Blue miniature Dutch canal house, filled with jenever – a traditional Dutch, juniper-flavoured gin. Every year, on October 7th – the anniversary of KLM’s founding in 1919 – a new house is launched. According to KLM over the years these houses have become collector’s items. Tribal DDB created a real life, 7 meter long canal street with 91  minitiature houses, then filmed it, and finally turned it into a virtual, online experience, dubbed ‘Take a trip down KLM lane’. The different houses are clickable and reveal information about the different buildings’ location (in Google maps) and history. The miniature bridges, trees, boats, etc. were created by model maker Lucas van Doorn. Speaking of craftsmanship!

Since KLM is an Amsterdam based air carrier and since most gays are ‘dinks’, it shouldn’t be much of a surprise that KLM regards homosexuals an interesting target. Marketing-wise though, it seems that KLM doesn’t take them too serious; the only thing the Dutch royal brand could come up with, was a website where British gays have to answer 10 incredibly easy questions to get the chance to win a free flight. The only thing they need to do after scoring 10 out of 10 is to fill out their contact details. The feeling we’re getting here is that KLM considers gays lucrative, but not very smart.